Photo from 52 Pieces Blogspot
OK, sign me mind blown. The huge mural, Apotheosis of the Family by N.C. Wyeth, newly restored, will be available once again to be viewed thanks to his grandson, Jamie Wyeth, as per the amazingly fabulous article in the New York Times this morning.
A friend of mine sent me the article a little while ago. And I’ve just been sitting here, reading it and almost gasping to myself about the crazy story of this mural.
CLICK AVOVE ⬆️ FOR NEW YORK TIMES ARTICLE ⬆️
I remember years ago hearing about this mural. Then it came off the wall when the bank, Wilmington Savings Fund Society now known as WSFS, literally took it off the wall. That was 2007, and I remember reading that at the time and it was crazy to me because well the bank had restored it in 1998. BUT and it’s an important but, according to the New York Times, the building was sold for development. Art vs. real estate profit?
Can you imagine owning a building that had a giant mural painted by a Wyeth in it and then just taking it off of the wall and selling the building?
It’s a huge mural. It is 60‘ x 19‘. So 60 feet wide and 19 feet tall. I never saw it when it was in that bank branch for all those years, but it’s one of those things that pops up on postcards and coffee mugs and you can buy a replica of it.
According to the Fifty Two Pieces Blogspot which wrote about this in 2009:
Commissioned in 1932 by the Wilmington Savings Fund Society (WSFS) in Wilmington, Delaware when N C really wanted to do something other than be “just an illustrator”, the mural is made up of five canvas pieces that span a total of 60 feet by 19 feet…..The mural depicts a family standing in front of a house, surrounded by neighbors….Some say this is a theme N.C. Wyeth may have borrowed from his son-in-law, Peter Hurd. Done in the grand manner style of murals from the 19th century, N C also used bright colors, unusual perspectives and powerful abstract forms of clouds, smoke and sea, reflecting Wyeth’s interest in avant- garde Russian art, and works by Marc Chagall.
So again, according to this blog, it was removed off the walls of this bank building in 2007, after being restored in 1998. The work to pull this giant piece of art off a wall and I guess store it was done by some company called Ely Inc. (I found a website for the company. They do some kind of museum services. )
Here I interject a little bit of my own opinion about WSFS. They like taking things off of walls. When they acquired the Bryn Mawr Trust Company a few years ago, they yanked the name and letters embedded in the wall of the historic bank building in Bryn Mawr off. Yeah, sorry that sounds a bit snarky, and I kind of meant it that way because I remember when it happened, it struck me as petty, because so many banks keep the original things of the bank building they acquire on it as part of the history. Wells Fargo did this in Paoli, for example. But I digress.
However, I guess everyone’s lucky that the mural was saved, and now will be able to be viewed at some point this fall. I guess I just feel at this point, that this country in general is somewhat disposable with various aspects of its history at times.
So fast-forward to the New York Times article of today. And apparently this giant mural went into storage for a bunch of years. Now, remember it’s oil on canvas, and paintings can crack and stuff as they age. If you read through the New York Times article, they had to do more restoration as the canvas was unfurled to be prepared for hanging.
According to the New York Times and their research, this is the largest mural in US history ever created for a public space. I like looking at murals, and if you think about it, it’s pretty cool that an American treasure of an artist also did one. No, this was done during the depression, and apparently the money received at the time translated to today’s dollars was fairly significant.
Now thanks to Jamie Wyeth, soon if we’re lucky, we’ll be able to take a shuttle bus from the Brandywine River Museum of Art to a special round barn on his property to view it. The farm is called Point Look Out Farm.
Apparently, this work of art celebrates family. N.C. Wyeth’s family is worked into the mural. His son Andrew is the naked boy with the bow, and interestingly enough, the Times reports his sister Carolyn is portrayed as a little girl, although she was eight years older than Andrew. According to Jamie Wyeth, as recounted to the New York Times, point of the mural was to depict two things that were very important to his grandfather, a deep love for family and the land. (OK, I’m going to interject again. What would N.C. Wyeth think of all the development in the area he calls home today?)
I think this is very exciting. And I’m going to hope I can get a ticket to see this in person. N.C. Wyeth was known first as an illustrator. He illustrated a lot of children’s books for example.
One of the favorite things he ever did that I have seen hangs at the Westtown school – “The Giant”. We actually have a print of that. It’s beautiful.
This if you like art, and you appreciate the art from the various members of the Wyeth family, is pretty freaking amazing. the Delaware Historical Society had this mural before it came back to Jamie Wyeth’s farm. it sounds like they could never find a place for it. I think from a restoration point of view it’s probably very lucky for the world that this place has been made for this giant mural because it sounds like it wasn’t rolled up right when it was stored. Thank goodness it was given to the Wyeth Foundation.
https://www.artsy.net/article/artsy-editorial-untold-legacy-nc-wyeth-andrews-artist-father
The Wyeth family has had a history of fabulous art and great tragedy. After all, the creator of this fabulous mural, we are all about to see for the first time in many years, N.C. Wyeth died in a tragic accident in 1945. His grandson, Newell, who was four at the time also died with him in the crash.
Of course, this is not the only tragedy that this family suffered, as there have been many twisted tales of complicated lives of this often larger than life amazingly talented family of artists whom we loosely call our own in this area. And thanks to the generosity of Jamie Wyeth will be able to see this mural now.
There is actually a giant Wikipedia page devoted to N.C. Wyeth which is pretty interesting and has many links about his life and work. I really wish I could meet Jamie Wyeth and ask him what it was like growing up in this family except how many writers and reporters and others have done this over the years?
I’ve also never become a member of the Brandywine Conservancy & Museum of Art. I think this might just inspire me to do so.
Anyway, read the article in the New York Times. It’s amazing from start to finish and it’s also kind of sad that a New York paper is breaking major art news from this area.
https://www.nytimes.com/2025/08/21/arts/design/nc-wyeth-mural-wilmington-delaware.html